// architecture + scenography + research  







Summer Semester 2023

#designstudio #architecture #public space

INN_TERVALS >>

University of Innsbruck_Institute for Architecture



Winter Semester 2022-23

#seminar #architecture

SCENOGRAPHY AS SITUATED PRACTICE >>

University of Innsbruck_Institute for Architecture



September 2022

#workshop #urban #scenography

TOOLS FOR URBAN EXPLORATIONS >>

Vienna Architecture Summer School

with Matilde Igual Capdevila & Kollektiv Raumstation



Summer Semester 2022

#designstudio #architecture

PERFORMING >>

University of Innsbruck_Institute for Architecture
with Bettina Siegele



Winter Semester 2021-22

#seminar #architecture #film #space

cinematic language outside the cinema >>

University of Innsbruck_Institute for Architecture



Summer Semester 2021

#designstudio #architecture

GOODBYE TO LANGUAGE >>

University of Innsbruck_Institute for Architecture

with Prof. Bart Lootsma



Winter Semester 2020-21

#seminar #architecture #scenography

OUT OF SCALE >>

University of Innsbruck_Institute for Architecture



Winter Semester 2020-21

#designstudio #architecture #modelmaking

ARCHICOMICALS >>

University of Innsbruck_Institute for Architecture
with Bettina Siegele & Giacomo Pala



Winter Semester 2020-21

#worskhop #urban #scenography

CITY FICTIONS >>

Social Design Studio_dieAngewndte
with Matilde Igual Capdevila



Summer Semester 2020

#design studio #architecture

A JOURNEY AROUND MY ROOM >>

University of Innsbruck_Institute for Architecture

with Prof. Bart Lootsma & Melanie van der Hoorn











Brief:

The city fosters art and is art; the city creates the theatre and is the theatre. It is in the city, the city as theatre,
that man’s more purposive activities are focused.
Lewis Mumford, ‘What is a City?’

Lewis Mumford, writing in the 1930s, understood the city as a ‘theatre of social action’. His approach remains relevant in the context of the contemporary post-industrial city, in which theatricality and performativity are key drivers of the so-called ‘experience economies’.
Towards that direction we will set out this semester to explore how performance, narrative and scenography are related to public space. While combining readings, research and creative experimentation, we will work around three basic thematic cycles:

- Rituals
How do people inhabit contemporary cities through the performance of rituals carried out repeatedly and consistently
as part of daily life?
- Spectacles
What happens when urban space becomes a stage to host the exception to the routine?
- Transformations
How can designing using the links between performance and city-making create space for transformation?